I was 13 when I was offered my first score: it was Bärenreiter, it was Mozart and it was “Le nozze di Figaro”.
Since then, I’ve been faithful to all three. This score has been my lucky charm and has been my companion for various important opera house debuts such as Opéra Garnier, Zurich Opera House or Liceu Barcelona.
Bärenreiter is a sign of quality, rigor, precision, requirement and beauty; the reference!