My first experience with Bärenreiter dates back to many years ago when I first played Mozart’s Concerto K. 488. Later Bärenreiter also followed me on the podium for my conducting debuts with symphonies of Haydn, Beethoven, Schubert.
What I associate with Bärenreiter are the fidelity to the text and the never-ending philological work to give back to the interpreter the most pertinent version and the closest to the composer’s will.