Jubilee Ambassadors

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Concerto Köln

"What would the early music movement be without the pioneering work of Bärenreiter? For Concerto Köln, the Bärenreiter editions have always been faithful companions, a reliable basis for discussion and...

Laurence Cummings

I am thrilled to be invited to be an ambassador for the Bärenreiter Jubilee. Ever since my student days, Bärenreiter has been my go-to publisher for all baroque and classical...

Jeanine De Bique

As a young student in New York I recall purchasing my first Bärenreiter score, Mozart’s Le nozze di Figaro, a gift into the future! Soon after on Christmas day, opening...

Lea Desandre

I was 13 when I was offered my first score: it was Bärenreiter, it was Mozart and it was “Le nozze di Figaro”.Since then, I've been faithful to all three....

Elsa Dreisig

Coming from a musical family I’ve always been surrounded by Bärenreiter scores. The first score I bought for myself was "The Magic Flute" – an opera that opened many doors...

Kevin John Edusei

Bärenreiter scores have been part of my musical journey as long as I can think. My first Bärenreiter experience might have been Anna Magdalena Bach's Klavierbüchlein.One of my most exciting...

James Ehnes

In my attempts to get to the heart of great musical masterpieces, Bärenreiter has been my guide, my compass, and my partner. Their commitment to excellence is unfaltering, and their...

Emerson Quartet

We in the Emerson Quartet congratulate Bärenreiter on its upcoming centenary. Since its inception, your publishing house has made a substantial contribution to the musical lives of countless performers. From...

Tara Erraught

From the very beginning of my studies, my teacher, the late great Dr.Veronica Dunne had always spoken of the importance of good study material. The first score I bought was...

Christoph Eschenbach

I have felt attached to Bärenreiter ever since my childhood, when Bärenreiter published my father Heribert Ringmann's musicological work, the "Glogauer Liederbuch". Furthermore, Bärenreiter was a faithful companion in my...

Mahan Esfahani

My interest in getting to the very bottom of a score — that is to say, to the meaning behind the notes and to the complicated relationship between different versions...

Renée Fleming

Bärenreiter Urtext editions have been absolutely indispensable resources for me throughout my career. I always relied on Bärenreiter Mozart editions when I was performing these roles – as well as...

Mao Fujita

I am delighted to have been selected as a Bärenreiter Jubilee Ambassador.As I have Mozart as my main repertoire, the Bärenreiter is definitely a very valuable and important edition for...

Sol Gabetta

As a performer, I appreciate the high editorial standard, the clear notation, the optimum page turns and the detailed critical reports. The reliable, unadulterated musical text enables me to find...

Sir John Eliot Gardiner

My association with Bärenrenreiter-Verlag stretches all the way back to 1957 when as a treble I sang in the Springhead Ring choir in a concert given in Wilhelmshöhe, Kassel, with...
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