Jubilee Ambassadors Alle All 132 Chamber Music Ensembles 12 Conductors 53 Pianists 21 Singers 34 String Instrumentalists 19 Wind Instrumentalists 6 Jakub Hrůša I am not really able to remember my very first encounter with a Bärenreiter edition because I basically feel that I have lived with them forever. It must have been... Luisa Imorde I still know exactly how I felt, when as a teenager I was awarded the "Bärenreiter Urtext Special Prize" and how I was then able to choose the sheet music... Su Yeon Kim My first memory with Bärenreiter goes to the year of 2003 at age 8, when I got some music scores as a prize and they were from the Bach collection... Andrew Ling I love using Bärenreiter's music when I prepare for concerts, whether I'm using the score as a conductor, for chamber music, or for solo concerts. Their Bach, Mozart and Beethoven... Juliette Herlin Bärenreiter editions have played an integral part in my musical journey. The meticulous scholarly research, accuracy, and quality inherent in each score instill confidence in the musical text upon which... Jungin Huh For my recording project with Sony Classical of Beethoven’s complete sonatas for piano and cello, I compared and studied multiple editions. This led me to conclude that the Bärenreiter edition... Marco Attura Bärenreiter has always been by my side, from my first studies to the most prestigious performances. The editions are of the highest quality and undisputedly professional. When I browse each score, it... Ruben Gazarian The wonderful "Bärenreiter Urtext" editions have been an indispensable part of my everyday work for over 20 years. Studying scores with this music always gives you the familiar feeling of... Xincao Li My first experience with Bärenreiter publications was when I was learning to play the flute, specifically the Mozart Flute Concertos in G Major K.313 and D Major K.314. When I... Ivo Kahánek In 2016 I addressed Bärenreiter about the lack of a new high-quality edition of Dvořák's Piano Concerto. Bärenreiter reacted immediately, included the work in its editorial plan and within a... Pablo Heras-Casado My first encounter with Bärenreiter was through their pocket editions, a vital resource during my early years as a conductor. Their Urtext editions have been a constant presence throughout my... Benjamin Appl In preparation for recitals or operas, working with the text and the music is of the utmost importance; many hours are needed to memorise vocal scores and full scores. When... https://100.baerenreiter.com/wp-content/themes/impeka/images/empty/thumbnail.jpg 150 150 admin admin https://secure.gravatar.com/avatar/40de6edb4e186ff6940c00e1761195fd?s=96&d=mm&r=g April 11, 2023 June 6, 2023
Jakub Hrůša I am not really able to remember my very first encounter with a Bärenreiter edition because I basically feel that I have lived with them forever. It must have been...
Luisa Imorde I still know exactly how I felt, when as a teenager I was awarded the "Bärenreiter Urtext Special Prize" and how I was then able to choose the sheet music...
Su Yeon Kim My first memory with Bärenreiter goes to the year of 2003 at age 8, when I got some music scores as a prize and they were from the Bach collection...
Andrew Ling I love using Bärenreiter's music when I prepare for concerts, whether I'm using the score as a conductor, for chamber music, or for solo concerts. Their Bach, Mozart and Beethoven...
Juliette Herlin Bärenreiter editions have played an integral part in my musical journey. The meticulous scholarly research, accuracy, and quality inherent in each score instill confidence in the musical text upon which...
Jungin Huh For my recording project with Sony Classical of Beethoven’s complete sonatas for piano and cello, I compared and studied multiple editions. This led me to conclude that the Bärenreiter edition...
Marco Attura Bärenreiter has always been by my side, from my first studies to the most prestigious performances. The editions are of the highest quality and undisputedly professional. When I browse each score, it...
Ruben Gazarian The wonderful "Bärenreiter Urtext" editions have been an indispensable part of my everyday work for over 20 years. Studying scores with this music always gives you the familiar feeling of...
Xincao Li My first experience with Bärenreiter publications was when I was learning to play the flute, specifically the Mozart Flute Concertos in G Major K.313 and D Major K.314. When I...
Ivo Kahánek In 2016 I addressed Bärenreiter about the lack of a new high-quality edition of Dvořák's Piano Concerto. Bärenreiter reacted immediately, included the work in its editorial plan and within a...
Pablo Heras-Casado My first encounter with Bärenreiter was through their pocket editions, a vital resource during my early years as a conductor. Their Urtext editions have been a constant presence throughout my...
Benjamin Appl In preparation for recitals or operas, working with the text and the music is of the utmost importance; many hours are needed to memorise vocal scores and full scores. When...