For me, Bärenreiter editions primarily mean the connection between musicology-based substance and performance-oriented implementation, both in terms of content and in terms of quality of production. Among many other editions, the vocal score of Mozart’s “Così fan tutte” is certainly the one I have used the most: it has now survived two roles and a total of five opera productions without any damage and will continue to be a faithful companion for years to come. A big thank you for many years of musical companionship and my warmest congratulations on your 100th anniversary!

Michael Nagy