Ever since we were in the Thomaner Choir in our youth, the great music publishers, and of course Bärenreiter, have played an important role in our musical work. Be it...
Warmest congratulations on your 100th birthday! Bärenreiter has accompanied me for as long as I can remember and I can only be grateful for all that this fresh centenarian has...
I grew up a few metres from the company headquarters in Kassel and have many early memories of Bärenreiter. What I could not have guessed at the time: Today, the...
I am SO humbled to become a Bärenreiter Jubilee Ambassador! I have always trusted Bärenreiter editions from early on for their integrity to original manuscripts supplemented by thorough musicological research...
When I hold a brand-new edition of a Bärenreiter score in my hands with its reassuringly bold colours, there is a thrill of anticipatory and sensory pleasure – the treasure...
Just two years after first walking through the doors of the Metropolitan Opera for their annual competition, I was offered the opportunity to make my official Met debut, as Zweite...
My first memory with Bärenreiter was as a young violinist aged 14, learning Mozart’s Violin Concerto No. 4 for the very first time. The red cover of the music and...
The huge prestige of Bärenreiter publications – for instance their complete Berlioz edition – is without question. On a more personal note, the company has been the much-appreciated German agent...
One of my fondest memories is the preparation of the new edition of Cavalli’s “La Calisto” for our famous production at Bayerische Staatsoper in 2005. A production that has since...
Bärenreiter has accompanied my professional life in different ways: the well-used scores are a testimony. The precision and flexibility of the board of scholars make this company a model of...
As an ensemble, we are always on the lookout for the emotional content of the works we play. The basis for this is always a thorough study of the sources...
My first experience was when I moved to Munich as a young artist and started my career at the Bayerische Staatsoper. I think Die Zauberflöte must have been my first...
I have used Bärenreiter scores since I started my professional career as a conductor. My favourite music publisher, Bärenreiter always shows the highest level of academic study and forensic discovery; a clean,...
I associate Bärenreiter as being the most honest and direct interpreter of some of classical music’s greatest compositions. This is truly important in order to dive deeply into developing a...
The Mozart Sinfonia Concertante score is very special to me as it recalls invaluable moments of great collaboration with the Wiener Philharmoniker, Antoine Tamestit and Franz Welser-Möst …On the one...
