Since our student days, we have valued Bärenreiter as an indispensable companion. Working with the excellent Urtext editions of the Mozart and Schubert string quartets, for example, is always a...
The name Bärenreiter has been synonymous with the highest quality for as long as I can remember. The finest scholars edit the music and write always helpful introductions. The critical commentaries are often...
I have always lived with Bärenreiter editions, ever since I was a student. It was so exciting, when studying in Milano at the Conservatorio Giuseppe Verdi, to explore a music...
It's always a pleasure to work with Barenreiter; there's a real sense of the company wanting to engage with artists to help them produce great musicmaking! Have a wonderful jubilee! Paul...
Bärenreiter scores have been with me since the beginning of my career, especially Nozze and Giovanni. When I’m holding that big blue book, I know that I’m getting the very...
For many years, I have felt closely attached to the equally youthful and venerable Bärenreiter publishing house. Without its excellent music editions and books, my shelves would admittedly sag less,...
Dealing as often as I do – every season, every month, every day – with Mozart and Gluck operas, how would one live outside of the protection of Saint Bärenreiter?...
I proudly confess that I own many Bärenreiter scores, including every Mozart score you have published. I always knew that your scores were well researched and produced with incredible accuracy,...
In our work, we always like to draw on the carefully edited Bärenreiter editions. We warmly congratulate them on their anniversary and wish them all the best for the next...
For me it's essential to prepare my performances and recordings with a clean Urtext score. From the Sonatas and Partitas of Bach to the newest edition of Beethoven sonatas –...
For me, Bärenreiter editions primarily mean the connection between musicology-based substance and performance-oriented implementation, both in terms of content and in terms of quality of production. Among many other editions, the...
Thanks to my early deep interest in the music of W. A. Mozart and L. van Beethoven, I was immediately confronted with the Bärenreiter edition, which has been my closest...
My first encounter with the Bärenreiter editions was in 2003 with the Beethoven Critical Edition edited by Jonathan Del Mar. This was in preparation of my first “Beethoven Cycle” with...
I received my first Bärenreiter edition when I was 8 years old, it was Telemann's "Die Kleine Kammermusik"!When I conducted my first opera in 2016, I was able to draw...
My first encounter with Bärenreiter was in 2009 when I started studying at the Fryderyk Chopin University of Music in Warsaw. I remember that I went for an extra lesson...
